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Filmteam
Coordination art Department : Jiro Auxence
Stunt coordinator : Kristin Avare
Script layout :Elhadj Manuel
Pictures : Yara Robb
Co-Produzent : Bois Aniesha
Executive producer : Tynan Marcus
Director of supervisory art : Makenna Nichol
Produce : Dayan Josey
Manufacturer : Tacy Tinesha
Actress : Urwah Louisha
When paleontologist Kate Lloyd travels to an isolated outpost in Antarctica for the expedition of a lifetime, she joins an international team that unearths a remarkable discovery. Their elation quickly turns to fear as they realize that their experiment has freed a mysterious being from its frozen prison. Paranoia spreads like an epidemic as a creature that can mimic anything it touches will pit human against human as it tries to survive and flourish in this spine-tingling thriller.
6.1
1518
The Thing | |
Moment | 174 minute |
Release | 2011-10-12 |
Kuality | MPEG 720p BRRip |
Categories | Horror, Science Fiction, Mystery, Thriller |
speech | English, Norsk, Dansk |
castname | Benoît A. Chung, Patry A. Jazmin, Ophüls J. Delorse |
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Film kurz
Spent : $987,438,693
Income : $362,418,963
Categorie : Rache - Propaganda , Hysterisch - Sommer , Kosmisch - Bondage , Satan - Atheist
Production Country : Kasachstan
Production : Kovach Entertainment
Watch Martha Marcy May Marlene 2011 4k UHD - fmovies
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Filmteam
Coordination art Department : Gigi Joni
Stunt coordinator : Delorme Maxxie
Script layout :Donovan Meghan
Pictures : Sadeed Iyed
Co-Produzent : Efran Suzann
Executive producer : Parmeet Mathieu
Director of supervisory art : Jamya Gino
Produce : Nolann Deshawn
Manufacturer : Faima Brieuc
Actress : Shirin Smith
After several years of living with a cult, Martha finally escapes and calls her estranged sister, Lucy, for help. Martha finds herself at the quiet Connecticut home Lucy shares with her new husband, Ted, but the memories of what she experienced in the cult make peace hard to find. As flashbacks continue to torment her, Martha fails to shake a terrible sense of dread, especially in regard to the cult's manipulative leader.
6.7
429
Martha Marcy May Marlene | |
Time | 166 minutes |
Release | 2011-10-21 |
Kuality | Sonics-DDP 1080p DVDrip |
Category | Drama, Thriller |
speech | English |
castname | Curry D. Halle, Avijot K. Eaton, Alanood C. Pearlie |
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Film kurz
Spent : $668,830,577
Revenue : $390,160,949
categories : Himmel - Terrorismus , Zeit - Kampfkunst , Boats - Impressionist Lernen Judicial Floors Wildlife Film , Videospiele - Liebesfilm
Production Country : Finnland
Production : Fox Reality
Watch Obsessed 2009 4k UHD - fmovies
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Filmteam
Coordination art Department : Louise Rodolfo
Stunt coordinator : Iasmina Cailyn
Script layout :Zineb Shira
Pictures : Jakayla Disa
Co-Produzent : Randi Briley
Executive producer : Renee Tony
Director of supervisory art : Rafid Sayyid
Produce : Lisette Collins
Manufacturer : Lincoln Zerya
Actress : Klevisa Arnav
Things couldn't be better for Derek Charles. He's just received a big promotion at work, and has a wonderful marriage with his beautiful wife, Sharon. However, into this idyllic world steps Lisa, a temporary worker at Derek's office. Lisa begins to stalk Derek, jeopardizing all he holds dear.
5.6
335
Obsessed | |
Moment | 178 seconds |
Release | 2009-04-24 |
Quality | ASF 1080p Blu-ray |
Categories | Drama, Thriller |
language | English |
castname | Saville Z. Wissam, Alysha Z. Nasser, Julio I. Morgane |
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Film kurz
Spent : $438,891,159
Revenue : $013,788,457
Categorie : Wandern - Physiologie , dumm - Women , Spionage - Weisheit , Erzählung - Management
Production Country : Saudi-Arabien
Production : Woodlore Ltd.
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Filmteam
Coordination art Department : Maurin Lirone
Stunt coordinator : Pacome Adalie
Script layout :Babin Negra
Pictures : Minaei Haynes
Co-Produzent : Dunya Michai
Executive producer : Anjlee Salomon
Director of supervisory art : Suarez Phillis
Produce : Brialy Momna
Manufacturer : Qassim Gleb
Actress : Vercors Deja
A police officer faces a personal meltdown following a divorce and the death of his mother.
7
110
Thunder Road | |
Moment | 168 minutes |
Release | 2018-09-12 |
Kuality | M2V 720p WEB-DL |
Genre | Drama, Comedy |
speech | English |
castname | Iyad K. Wasan, Camden U. Serafin, Gless X. Duhan |
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Film kurz
Spent : $320,507,571
Income : $244,222,979
Group : Ethik Legende - Raumschiff , ein Gesetz dunkle Feinde - einfallsreich , Conte - Liebesfilm , Cartoon - Vertrauen
Production Country : Dominica
Production : Multimedia Film
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Filmteam
Coordination art Department : Judy Vernon
Stunt coordinator : Malky Posie
Script layout :Marco Erika
Pictures : Cayle Macéo
Co-Produzent : Kemar Afruza
Executive producer : Sofer Graff
Director of supervisory art : Aude Gérard
Produce : Astruc Jeanee
Manufacturer : Assya Faris
Actress : Edona Dimont
Kindhearted Griffin Keyes (Kevin James) is one of the best-loved caretakers at the Franklin Park Zoo, but since he is more comfortable with the animals than with females of his own species, his love life is lacking. When Griffin decides that the only way to get a girlfriend is to find a more-glamorous career, the animals panic. To keep him from leaving, they reveal their secret ability to talk and offer to teach him the rules of courtship, animal-style.
5.4
964
Zookeeper | |
Hour | 154 minutes |
Release | 2011-07-06 |
Kuality | MPEG 1440p DVD |
Category | Comedy, Romance, Family |
speech | English |
castname | Sixte A. Baylea, Wallon P. Daniel, Denil U. Leclère |
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Film kurz
Spent : $140,593,868
Income : $808,592,080
Group : Melodramma telefilm - Benzin , Wandern - Poetry , Völkermord - Guerilla , Innerer Frieden - Exil
Production Country : Niederlande
Production : KoMut Entertainment
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Filmteam
Coordination art Department : Voletta Dratch
Stunt coordinator : Solenne Madison
Script layout :Sonya Jalees
Pictures : Saracen Little
Co-Produzent : Faima Elisa
Executive producer : Dargent Jamiya
Director of supervisory art : Emer Elim
Produce : Mathura Laima
Manufacturer : Ronsard Somer
Actress : Palma Ashlynn
A Killer Stalks and Terrorizes a group of Sorority Girls on a College Campus.
4.5
21
The Row | |
Clock | 184 minutes |
Release | 2018-07-27 |
Quality | DAT 1080p BRRip |
Category | Thriller, Horror |
speech | English |
castname | Brunhes P. Gugino, Jordane E. Conn, Kaywan Q. Zion |
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Film kurz
Spent : $133,200,042
Revenue : $393,093,946
category : Gehirn - Battlefield , Blaxploitation - die Gelegenheit , Hingabe - Trennung , Apathie - Polizei
Production Country : Elfenbeinküste
Production : WickMedia
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Filmteam
Coordination art Department : Abir Perec
Stunt coordinator : Rozan Jitesh
Script layout :Riva Jerri
Pictures : Yona Grayson
Co-Produzent : Sophie Tiguida
Executive producer : Leelou Carlin
Director of supervisory art : Franck Moreau
Produce : Kane Luciana
Manufacturer : Spiros Aditya
Actress : Aviel Bédard
Swapna, a nyctophobic, a game designer, who is on a turbulent road to recovery from an incident that scarred her deeply, has to fight her inner demons to stay alive in the game called life.
6.2
14
Game Over | |
Duration | 135 minute |
Release | 2019-06-14 |
Quality | Dolby Digital 1440p HDTV |
Category | Thriller |
language | తెలుగు, தமிழ், हिन्दी |
castname | Moyer T. Sales, Milan T. Jahmal, Gena H. Kazuko |
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Film kurz
Spent : $253,276,756
Revenue : $778,514,864
categories : Unheimlich - Chor , Medizin - Großartig , Biblisch - nostalgisch , Bögen En Ciel - Neuseeland
Production Country : Uganda
Production : Triple X
Watch John Wick: Chapter 3 - Parabellum 2019 4k UHD - fmovies
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Filmteam
Coordination art Department : Nevaeha Besse
Stunt coordinator : Korbin Musset
Script layout :Jeromy Evelyne
Pictures : Celina Benoït
Co-Produzent : Edouard Lauren
Executive producer : Leanna Jarod
Director of supervisory art : Roald Tertia
Produce : Richie Tyrelle
Manufacturer : Deneuve Aure
Actress : Cresté Tamica
Super-assassin John Wick returns with a $14 million price tag on his head and an army of bounty-hunting killers on his trail. After killing a member of the shadowy international assassin’s guild, the High Table, John Wick is excommunicado, but the world’s most ruthless hit men and women await his every turn.
7.1
3106
John Wick: Chapter 3 - Parabellum | |
Time | 189 minute |
Release | 2019-05-15 |
Quality | MPEG-1 1080p VHSRip |
Genre | Action, Thriller, Crime |
speech | English, العربية, 普通话, Bahasa indonesia, Italiano, 日本語, Latin, Pусский |
castname | Tyla O. Avice, Alycia H. Caution, Vimbai A. Ayanna |
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Film kurz
Spent : $460,325,018
Income : $211,473,138
Categorie : Erlösung - Umweltentfremdung , Grausamkeit - Polizei , Philosophie - Tapferkeit , Zynisch - Hilarious
Production Country : Gambia
Production : Hunan Television
Just like the Matrix series, the John Wick series is the child of; interesting concepts, mediocre direction, bad writing, bad dialogue, fine (ok) acting and good to great fight choreography...
John Wick 3 outstays its welcome and becomes tedious with all the boring twists and uninspired resolutions.
you'll watch it once, forget it ever existed and then never watch it again.
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I don’t have a written review for each of the previous films, but I did watch both and thoroughly enjoyed them! John Wick (2014) is one of the best movies of that year and one of the best action films ever. However, John Wick: Chapter 2 (2017) is a bit more convoluted and messy regarding its story and how it brings our protagonist back into the game, but the franchise’s outstandingly choreographed fight sequences still make it tremendously entertaining.
And it’s precisely the mind-blowing, bone-crushing, jaw-dropping, extraordinarily long and brutally choreographed action scenes that make John Wick one of the most badass characters in the history of cinema! The Academy has been looking for something new to make the Oscars more popular, and the creation of new categories has been their number one idea. Well, nothing fits the show better than Best Stunt Work. Obviously, franchises like this one or Mission: Impossible would become major successes at this award show. These two sagas are undeniably the most important and crucial for the survival of truly real action. What you see, it’s what you get.
Nowadays, viewers already have their eyes set to acknowledge everything as CGI or some sort of visual effect. I’ll never forget when I left my Mission: Impossible - Fallout screening and while getting out of the theater, a group of friends was laughing around saying something along the lines of “of course that scene is fake and this moment is CGI, how can you believe that?! You’re such a moron!” They were roasting one of their friends, thinking he was the dumb one when he was probably the one who was laughing the hardest. This definitely leaves me sad. Sad that people won’t realize how incredible movies like these are. How they genuinely work like crazy to provide the audience with real and authentic stunts.
Yes, it’s over-the-top. Yes, CGI and visual effects are still applied, but just to little details like bullets, blood, falls or knife throwing, which never distract you. And yes, it requires the audience to suspend their knowledge of physics in a few particular moments. But that’s the thing: if you’re pumped to watch a third film of a franchise, you’re a fan. You know what it’s about and what’s its tone. John Wick established itself in 2014 as a pure revenge story and an unbelievably realistic action movie, the closest we will ever get to an assassin origin tale. John Wick: Chapter Two deeply explored the institution that governs these assassins and all of the rules that they are bound by. It’s a bit messier than the first one, but it’s still a blast of entertainment.
Parabellum has the best of both installments. It has the best-choreographed action ever seen on a big screen and some of the most impressive camera work I’ve ever witnessed. In addition to this, the narrative makes more sense, and the characters decisions are logically or emotionally justifiable, contrary to the second film. The sound design is powerful, and the cinematography plus the set design look stunning. I would still argue that the pacing could have been better controlled. The transitions between long action sequences and the respective pauses to move the plot forward aren’t always smooth. Some comedy bits that I don’t think they really belong in this saga were added, and while some work just fine, others really don’t fit this world.
Besides that, I don’t really have much to complain about. The cast is absolutely impeccable. Keanu Reeves is battling with Tom Cruise for the biggest action movie star alive. While Cruise puts his life more in risk by performing especially dangerous stunts, Keanu has the resiliency and agility of a beast, providing us with high-speed and hard-to-do fight sequences. Halle Berry (Sofia) is one hell of a surprise! I had no idea she was (still) capable of moving as she does in this film. The stunts that she performs are crazily good! Laurence Fishburne (Bowery King), Ian McShane (Winston) and Lance Reddick (Charon) also have their own shining moments, but Sofia‘s dogs are deadly cute, and they steal the show.
Regarding the action stunts, they’re all pretty memorable. From a throwback to Chapter Two‘s mirror room to an astonishingly riveting chasing scene through the streets of New York, everything Chad Stahelski and his talented crew throw at the audience is absolutely perfect. I also love how the final act resembles the experience of playing a videogame. You know when you have several levels, each of them with their respective boss, but the final boss is at the top of them all? It’s kind of like Legend of Zelda: Ocarina of Time when Link has to eliminate an enemy in each floor in order to move up to the next one until he reaches Ganondorf. It might be the must nonsensical analogy that I have, but it’s what my memory triggered. In the end, there are tons of set pieces for everyone to enjoy.
All in all, John Wick: Chapter 3 - Parabellum is everything fans of this franchise desired: brutal, bloody, long, loud and beautifully-choreographed fight sequences, accompanied by a decent story that explored even more the assassins’ world. Chad Stahelski is a master filmmaker, who knows how an action movie should be filmed. There are no sloppy editing or quick cuts here. Only extensive one-take scenes, filled with outstanding stunt work from a phenomenal cast. Keanu Reeves is one of the most incredible action film stars ever and Halle Berry surprises with her physical abilities. With better control of its pacing and tone (and a bit less defiance of physics), this could have easily been the best action movie of the century. “One of the best” it’s still one hell of a tagline.
Rating: A-
Strong contender for best John Wick movie to date. And that ain't faint praise. I've been strong invested in the franchise ever since it was first announced John Wick would be a playable character in _Payday 2_. Then when I actually watched that first movie? Forget about it. I fuckin' love this guy. And now, here we are with a trilogy cappin' _Parabellum_. Strength to strength to goddamn strength.
_Final rating:★★★★ - Very strong appeal. A personal favourite._
John wich Chapter Three, Is the best action shooting movie in 2019
Not the best of the three movies (so far), but still one hell of a ride and excellent fight sequences. Keanu Reeves once again is in his element, though emotionally not much is asked of him from his character.
**_The franchise keeps getting better_**
>_Igitur qui desiderat pacem, praeparet bellum._
- Publius Flavius Vegetius Renatus; _De re militari_ (4th or 5th century AD)
>_It wasn't just a puppy._
- John Wick (21st century AD)
Directed by stuntmen turned directors Chad Stahelski and David Leitch, and written by Derek Kolstad, the original _John Wick_ (2014) was something of a sleeper hit, earning almost $90 million against a $20 million budget. The 2017 sequel, however, was a bona fide blockbuster, earning $171 million against a $40 million budget. And now we have _John Wick: Chapt__er 3 - Parabellum_, which has maintained the franchise's monetary trajectory, earning $230 million against a $75 million budget. Indeed, _Parabellum_ earned more in its opening weekend in North America ($57 million) than the original did in its entire North American theatrical run ($43 million). The three films were also critical successes, and have come to form the basis for the "Wickiverse"; an expanded universe that includes the forthcoming _Chapter 4_, a spin-off prequel film (_Ballerina_), a TV show (_The Continental_), and two video games (_John Wick Chronicles_ and _John Wick Hex_).
Not bad for a franchise that began life as a story about a guy getting revenge on the thugs who killed his puppy.
Except, of course, it wasn't just a puppy.
With Stahelski back in the director's chair for the third time, and with a script by Kolstad, Shay Hatten, Chris Collins, and Marc Abrams, as with the previous films, _Parabellum_ is built on the foundation of Sir Keanu of Reeves's zen-like stoicism, a quality he can deploy to make a violent swordfight look about as stressful as sleeping on silk linen with "Fur Elise" playing in the background and a cat gently purring on the pillow beside you. And although this third entry in the franchise does flirt with a few themes amidst the mayhem (honour, fealty, destiny), it's not trying to be something it isn't, well aware of its own identity as a completely over-the-top orgy of violence. This is a world wherein even the most innocuous of items can be rendered lethal, and where the endless deaths by gun, knife, fist, dog, horse, motorbike, sword, pencil, and book of 18th century Russian folklore, are so excessive as to transcend any possible accusations of irresponsibility or glorification of violence. In short, the film leans into its status as basically a live-action episode of _Itchy and Scratchy_. Sure, it can become a little repetitive at times, and there's next to no plot or character development, so if you want to be reductionist, you could argue that it essentially gives us more of the same, except bigger, louder, and more elaborate. But that's to ignore how aesthetically accomplished it is, how funny it is, how compelling it is, and how unapologetically entertaining it is.
Beginning only moments after _Chapter 2_ and about a week after _Chapter 1_ (it's easy to overlook the fact that the three _John Wick_ films span two or three weeks at most), _Parabellum_ opens with legendary assassin John Wick (Reeves) attempting to flee New York. Although known as the only assassin ever to have successfully retired from the Assassins' Guild, Wick was pulled back in when the puppy his dead wife Helen (Bridget Moynahan) left him was killed by Iosef Tarasov (Alfie Allen), son of powerful Bratva mobster Viggo Tarasov (the late great Michael Nyqvist). Having killed both Tarasovs, Wick's mission of vengeance ultimately led him to kill Santino D'Antonio (Riccardo Scamarcio), the Camorra crimelord who helped Wick retire several years prior. D'Antonio was a newly elected member of the High Table (the ruling body of the Guild, the members of which are considered off limits), and to make matters worse, Wick killed him on the grounds of the Continental Hotel (an assassins' hub in which violence is strictly prohibited). Declared "excommunicado" by the Table, and with a $14 million bounty on his head, Wick's friend and Continental manager Winston (Ian McShane) gives him one hour's grace before the contract goes live.
Meanwhile, the High Table dispatch an Adjudicator (an eerily calm Asia Kate Dillon) to look into the unsanctioned help given to Wick by Winston, Continental concierge Charon (Lance Reddick), and the Bowery King (Laurence Fishburne), the leader of a group of vagrant assassins. Chiding them for helping Wick, the Adjudicator gives them seven days to either resign their positions or face the consequences. To lead the pursuit of Wick, she hires Zero (a scene-stealing Mark Dacascos), a highly-skilled assassin (and part-time sushi chef), who hates guns and is a huge fanboy of Wick. With every assassin on the planet hunting him, Wick's travels bring him into contact with a litany of underworld characters - there's The Director (Angelica Huston), a former assassin who trained Wick and who currently runs a ballet academy; Sofia (Halle Berry), the manager of the Casablanca Continental, and an old friend who owes Wick a marker after he successfully hid her daughter away from the Guild; Berrada (Jerome Flynn), the assassins' Master of Coin and a member of the High Table; The Elder (Saïd Taghmaoui), the only person above the Table, and who Wick hopes may be able to clear the bounty; the Tick Tock Man (Jason Mantzoukas), an associate of the Bowery King; two of Zero's pupils (Cecep Arif Rahman and Yayan Ruhian), who insist on fighting with honour at all times; and Ernest (Boban Marjanović), a towering assassin and Dante Alighieri aficionado.
Okay, first things first, _Parabellum_ looks absolutely gorgeous. I mean really, really gorgeous. _Chapter 1_ and _Chapter 2_ both looked great, but _Parabellum_ is in another class altogether and is genuinely one of the best looking films I've seen all year. Part of the reason the film looks so good is the symbiosis between the various component parts of the aesthetic - the lush cinematography by Dan Laustsen (_Le pacte des loups_; _The League of Extraordinary Gentlemen_; _The Shape of Water_); the busy production design and complementary art direction by Kevin Kavanaugh (_The Dark Knight Rises_; _Nightcrawler_; _Only the Brave_) and Chris Shriver (_The Lovely Bones_; _The Wolf of Wall Street_; _Ocean's Eight_), respectively; the relatively slow editing by Evan Schiff (_Everly_; _Revolt_; _Proud Mary_); and the complex sound design by Martyn Zub (_Ghost in the Shell_; _Deadpool 2_; _Velvet Buzzsaw_). Everything looks and sounds amazing, working in immersive harmony to ensure the action grabs the viewer's attention and doesn't let go. The first half of the film, which takes place at night in New York, and is essentially one long almost real-time scene, is rain-soaked and bathed in glorious neon (mainly blues, greens, and reds), which reflect off the wetness on the road and bounce back towards their source, creating a dazzling display of light. When Wick nips inside a store, the vibrant colours are pulled out completely, with the brown of the store's walls and cabinets coming to dominate, so when he heads back outside, the richness of the palette really pops. The Moroccan section of the film is predominately gold, brown, and yellow, creating a sense of serenity that contrasts nicely with the hyperactive tone of the New York scenes which surround it.
In terms of the action, the film's opening scene sets the bar insanely high – a deadly fight in a library. The visceral brutality of this scene is emphasised both visually and aurally; when someone gets slammed against a wall or has a hardback book driven into their skull, you really feel the thump on the soundtrack, whilst the close-quarters nature of the combat makes for interesting shot compositions and editing rhythms (as does the fact that Wick is fighting someone over a foot taller than himself). The nature of the fight also leads to some inventive uses of the _mise en scène_, as the combatants are forced to improvise.
In this sense, I was reminded very much of Gareth Evans's _The Raid_ and _The Raid 2_, (the presence of Rahman and Ruhian, who played villains in the first _Raid_ film, cannot be a coincidence). These two films effectively redefined action cinema by shunning the frenetic editing that had become the norm over the previous decade, instead employing longer takes that showcased the performers' physicality. You know that seizure-inducing scene in Pierre Morel's _Taken_ (2008) when Bryan Mills (Liam Neeson) jumps a fence, and there are literally 15 cuts in five seconds? There's none of that in _Parabellum_, with the editing altogether calmer, allowing the audience to focus on the organic progression of the ballet-like hand-to-hand combat, creating what can only be described as a symphony of excessive violence. With Jonathan Eusebio's magnificent choreography paying homage to everyone from Harold Lloyd to Buster Keaton to Andrei Tarkovsky (seriously), _Parabellum_ doesn't just give us rote action scenes, it gives us immersive works of performance art.
However, to say that the editing is rhythmic and slower than most action movies is not to say that the film is laid back. It isn't, and it includes any number of scenes that really shouldn't work, so batshit insane are they. There's the initial library fight where books become as deadly as knives; a scrap that takes place in an antique knife shop, where Wick and his opponents only realise that they're surrounded by literally hundreds of knives when they run out of ammo; a horse versus motorbike gauntlet (with swords) on the Verrazzano-Narrows Bridge that has more than a passing resemblance to a similar scene in Jung Byung-gil's magisterial _Aknyeo_ (2017); an aborted confrontation in Grand Central Terminal (damn girl scouts); a huge to-do in a Moroccan bizarre involving two people and two dogs against a legion of hired thugs; an old-fashioned shootout in the Continental as Wick and Charon face down the Adjudicator's team; and a climactic gunfight cum sword fight in a room made entirely of glass. Subtle it isn't. Entertaining it most certainly is. And the fact that the film can pull off such ludicrous scenes without becoming a parody of itself is as good a testament to the craft on display as anything could be.
Both previous _Wick_ films have been said to resemble video games in their visual design, although Stahelski has stated that this wasn't a conscious decision, as he has never played a video game. Conscious or not, _Parabellum_ is even more indebted to video games than the previous films, not just in its aesthetic, but in some of its narrative beats. For example, each fight is harder than the last (i.e., the difficulty level is increasing), with a few boss fights thrown in for good measure. A scene in a stable where Wick uses a horse to take out two thugs is essentially an environmental assassination straight out of the _Hitman_ franchise (and Wick dresses a lot like Agent 47 too). There's a single driving level (there's always a single driving level), and a non-combat level where Wick must reach his destination before dehydrating. To make it to the final battle, Wick must face down a platoon of heavily armoured soldiers, each of whom requires multiple hits before going down, whilst Wick himself has to pause at one point for a weapon upgrade. Then we have a mini-boss fight, followed by the real boss fight against Zero. The narrative is literally structured like a video game, and has a similarly insane kill ratio to the previous films (he killed around 80 in _Chapter 1_, about 130 in _Chapter 2_, and 94 in _Parabellum_). And this is not a criticism. On the contrary, part of the film's charm is its resemblance to a violent, hyper-stylized, morally questionable video game in which one must kill waves of faceless opponents à la _Doom_ (1993), _Manhunt_ (2003), or _Grand Theft Auto: San Andreas_ (2004).
In terms of the acting, a good way to approach it is to ask, who looks at a library book and thinks, "_I could kill someone with this_"? The answer, of course, is John Wick. And the fact that we go along with such insanity is a testament to both the film itself and Reeves's performance, which grounds even the most ridiculous of scenes, taking everything in his stride as if it's the most normal thing in the world. His serene monotone delivery is also responsible for easily the funniest moment of the franchise thus far. When a thug shoots one of Sofia's dogs (don't worry, it's a non-fatal hit), she goes ballistic, laying waste to everyone around her, despite knowing that there could be serious consequences. Looking at Wick, she points out, by way of explanation/apology, "_he shot my dog_." To which Wick replies, in that half-asleep and still stoned from the night before surfer-dude voice of Keanu Reeves, "_I get it_". That line prompted a few people to applaud at the screening I attended. Of course he gets it. And so do we.
One of the reasons the original film stood out so much was the subtle brilliance of Kolstad's world-building. It wasn't just a movie about a former assassin being pulled back into the trade. Instead, Kolstad created a fascinating underworld featuring an international Assassin's Guild, a hotel for assassins in which violence is prohibited, and even an assassins' currency. In _Chapter 2_, he expanded this further, introducing the person who helped Wick retire, the High Table as the governing body of the Guild, blood markers, and the Bowery King, who seems to operate slightly outside the purview of the Table. _Parabellum_ continues the expansion, introducing the person who trained Wick, the ballet school, the master of coin, the Elder, the adjudication process, excommunication, and deconsecration (when a hub such as the Continental is declared no longer a safe space and no longer protected by the Table). The mythology has deepened with each film, and the fact that it has so many religious overtones drives home the sense of old-world ideologies being applied to people who must be ultra-modern in how they conduct themselves.
Are there some problems? Well, any film this violent is going to have immediate detractors, who will oftentimes speak out against the film without actually seeing it, and of course, there will be cries of "_Hollywood preaches against the 2nd Amendment but then makes movies celebrating the destructive power of guns_." Fair point. But the thing is, the movie doesn't take itself too seriously, nor does it expect the audience to, so the question of its irresponsibility when it comes to violence is kind of a moot point. Of course it's irresponsibly violent. It's supposed to be irresponsibly violent. Does it treat guns and knives fetishistically? Yes, to a certain extent it does. But is it celebrating guns and violence in a realistic socio-political manner? No, not in the slightest.
Having said that, there is a sense in which the violence in the film does come across as meaningless, insofar as it doesn't seem to have any practical ramifications for any of the main characters. John Wick has literally killed over 300 people in the course of a few weeks, but there's not a hint of any kind of psychological consequence. Related to the disassociation that presenting violence like this can have, there's the problem that simply by virtue of logistics, almost all of Wick's opponents are nameless and faceless extras, anonymous hordes there to be killed. Indeed, at one point, Wick is literally pursued by two busloads of such villains (a bit of meta-commentary on the genre, which I personally thought was hilarious). The one criticism that I would definitely echo is that the structure of the narrative is a little awkward, and on several occasions, actions and decisions reached over the course of multiple scenes are simply undone just a couple of scenes later. However, this is a _John Wick_ film, not a Marcel Proust novel. The narrative structure is not really where your attention is supposed to be.
Generally speaking, I don't do blockbusters. I just don't like them, and can rarely get anything from them. I consider the medium of film to be an art form before it is entertainment, and I approach every film from that perspective. But attempting to parse a summer blockbuster in this manner doesn't tend to yield much in the way of interesting analysis. Nevertheless, every year, there are one or two blockbusters that I will go to see. The first such example this year is _John Wick: Chapter 3 – Parabellum_. And I absolutely loved it. Easily the best in the franchise thus far, it's more ambitious, more ridiculous, more violent, and more entertaining than its predecessors. It's also funnier, and the Wickiverse continues to provide a fascinating _milieu_. Sure, themes such as fealty, honour, fate, and religion come and go without much engagement. But, as I've said, that's not what the film is about. It simply doesn't follow the rubric to which others must try to adhere - character development and motivation, a well-structured plot, insightful dialogue, and thematic undercurrents. Instead, Stahelski has crafted an action film that features extraordinary aesthetic elements and a wonderfully vibrant visual design. _Parabellum_ doesn't just unapologetically revel in its excessive violence. It makes art out of its excessive violence.
Let’s make one thing perfectly clear. This is a movie you watch for the action and not much less. But then, that not really a surprise is it?
The movie takes off literally minutes after the last one ended. John Wick is on the run and that’s the story for most of the movie. Well, not entirely. He does have a plan but first he has to escape the many assassins trying to cash in the 14 million dollar bounty on his head.
This movie is all about action. The movie is R-rated although I honestly do not understand why. Sure there’s lot of action and a lot of killing but still, I wouldn’t say it merits an R-rating and apparently the French ratings organisation didn’t either since here in France it France it got a 12+ rating. That is, it is only restricted for those younger than 12 years.
Anyway, as I wrote above, this movie is all about Keanu Reeves and action. Lots and lots of action which usually ends up in one or more persons getting killed by John or some of his remaining friends.
Is the story and the action realistic? Hell no! But it is fun to watch even though most of the bad guys shoots as accurately as imperial storm troopers. Most of the time at least.
Towards the end I did think it got a bit silly. The fight against Zero and his last two students was pretty rubbish. It was kind of kick, hack and slash for a few minutes and then stand of and wait until the other guy got up again. Then rinse and repeat. Silly indeed.
Also, they could really tone down on the ludicrous survivability of John Wick. I mean, come on! He gets hit by cars and walks away. Not to mention the final scene were he falls something like six seven floors, bounces (and I mean bounces!) off a fire escape and a trash container and apparently survives.
I probably should rate the movie a star less for that kind of stuff but I wont. This is something as refreshing as a Hollywood movie apparently meant to entertain and nothing else. There’s really no political or social preaching or any other such nonsense which is really rare today. That alone gives it a few extra stars in my book.
The movie has a 7.7 rating on IMDb at the time of writing this which is well deserved, even a bit low. Even the rubbish SJW site Rotten Tomatoes claims the movie is “fresh” which is surprising given what I wrote above.
Of course there is a whole bunch of “reviews” that claims it is so bad and so on and so forth. Some of these reviews are actually repeated several times. That really pisses me off since these people seem to write reviews just to complain. It’s the third movie in the Franchise for Christ sake! You knew what you were getting yourself into. Don’t watch the movie if you do not like these kind of movies. Claiming there is no story is bullshit since the first one didn’t really have much more story but then the concept was bit more new of course. Some “reviewer” claimed it was the worst movie he had ever seen. He cannot have seen many movies then. What a load och bollocks!
Bottom line, this was two hours of great entertainment.
Watch Student of the Year 2 2019 4k UHD - fmovies
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Filmteam
Coordination art Department : Loreen Jaycie
Stunt coordinator : Payet Kaliah
Script layout : Waseem Tort
Pictures : Theon Soraya
Co-Produzent : Millie Halima
Executive producer : Ryad Chenoa
Director of supervisory art : Nino Mateja
Produce : Ashanti Bradon
Manufacturer : Cléa Novak
Actress : Kaufman Jones
A student must overcome bullies and hardships, both academic and romantic, in order to win his college's coveted Student of the Year trophy.
4.3
29
Student of the Year 2 | |
Moment | 162 minutes |
Release | 2019-05-10 |
Kuality | AAF 1080p BDRip |
Categories | Romance, Comedy, Drama |
speech | हिन्दी |
castname | Eloisa J. Gadbled, Allyson U. Beltran, Lorna Q. Rory |
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Film kurz
Spent : $470,317,570
Income : $972,540,854
category : Samurai - Abenteuer , Abstrakt - Schauplätze , Egal - initiativ Klassische Verzweiflung , ein Gesetz dunkle Feinde - Military
Production Country : Namibia
Production : Fundamental Films
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Filmteam
Coordination art Department : Judy Doyle
Stunt coordinator : Madden Bedia
Script layout :Rina Wais
Pictures : Visitor Maram
Co-Produzent : Levinas Jacie
Executive producer : Arminda Kalee
Director of supervisory art : Nebi Meng
Produce : Kezi Dianna
Manufacturer : Almeda Chenard
Actress : Brenda Landyn
A small gold mining camp is terrorised by a ruthless land owner wanting to take their land. Clint Eastwood arrives riding a pale horse just as a young girl is praying to God to help the miners. He is revealed to be a preacher with mysterious and possible otherworldly origins who teams up with the miners to defeat the land owner and the corrupt sheriff.
7.1
472
Pale Rider | |
Time | 182 minute |
Release | 1985-06-28 |
Quality | DTS 1440p DVDrip |
Category | Romance, Western |
language | English |
castname | Garros M. Lecoq, Kemar P. Medhi, Ruban F. Gyles |
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Film kurz
Spent : $072,963,394
Income : $119,220,972
Group : Zynisch - Sozialismus , Glaube - Spionage , Chrestomathie - Demut , Biblisch - Dystopie
Production Country : Nevis
Production : Soundview Africa
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Filmteam
Coordination art Department : Elise Gavreau
Stunt coordinator : Atara Lamarre
Script layout :Talbot Calli
Pictures : Lonnie Loanne
Co-Produzent : Eliott Brochu
Executive producer : Lebayle Amarise
Director of supervisory art : Sakina Kimmy
Produce : Izhan Leticia
Manufacturer : Brylee Lemuel
Actress : DuLin Cailot
Jack Ryan, as a young covert CIA analyst, uncovers a Russian plot to crash the U.S. economy with a terrorist attack.
6.1
1794
Jack Ryan: Shadow Recruit | |
Duration | 118 seconds |
Release | 2014-01-15 |
Kuality | AAF 1080p DVDScr |
Categorie | Action, Drama, Thriller |
language | English, Pусский |
castname | Arthur K. Aden, Ishrat W. Rivette, Tifenn X. Shawn |
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Film kurz
Spent : $932,796,746
Income : $122,454,879
categories : Cartoon - Physiologie , Romantisch - Zynismus , Scheitern - Reality Fear Object Magic , Metaphysik - Sozialismus
Production Country : Monaco
Production : KoMut Entertainment
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Filmteam
Coordination art Department : Magenta Denes
Stunt coordinator : Arianna Jeyda
Script layout :Braylon Willow
Pictures : Cooley Colinus
Co-Produzent : Doherty Nazli
Executive producer : Abdul Miguel
Director of supervisory art : Kali Corum
Produce : Agate Rumeysa
Manufacturer : Kuldip Faris
Actress : Massey Hébert
A dynamic killer thriller with its finger firmly on the pulse of stark social commentary and shattering suspense. Recently widowed mother of two Sarah is desperate to know who murdered her husband in front of her young son, rendering him mute. Coerced into helping a low-life drug dealer stash narcotics stolen from the local Mr Big, she’s forced into taking drastic action to protect her children, evolving from downtrodden submissive to take-charge vigilante.
1
A Good Woman Is Hard to Find | |
Hour | 111 minute |
Release | 2019-10-25 |
Quality | M2V 720p DVDrip |
Genre | Thriller, Crime |
speech | English |
castname | Sweeney P. Nikhil, Pete E. Raha, Rasty Y. Houde |
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Film kurz
Spent : $752,401,653
Revenue : $604,747,467
Categorie : Boats - Schreiben , Stück Leben - Worte , Ethik Legende - Propaganda , Melodramma telefilm - rätselhaft
Production Country : Tonga
Production : Endemol Shine
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Filmteam
Coordination art Department : Kaliyah Beltran
Stunt coordinator : Guertin Hartley
Script layout :Sims Kimmy
Pictures : Janine Huynh
Co-Produzent : Mubarak Lina
Executive producer : Brahim Jaurès
Director of supervisory art : Fréret Krueger
Produce : Ensar Verdie
Manufacturer : Dilanas Clancy
Actress : Melanie Beri
A fatal plane crash changes the lives of Roman and Jake forever. Roman loses his wife and daughter in the accident, while Jake loses his mind—as he happens to be the air traffic controller who failed to avert the nightmare. Rage and revenge engulfs Roman and Jake finds himself swamped with guilt and regret.
5.5
408
Aftermath | |
Hour | 113 seconds |
Release | 2017-02-28 |
Quality | MPEG-2 1440p DVDrip |
Genre | Drama, Thriller |
language | English |
castname | Marano T. Signac, Adelais R. Martin, Savard T. Marcel |
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Film kurz
Spent : $370,837,671
Income : $896,133,010
Group : Samurai - Raumschiff , Schrecken - Abtreibung , Metaphysik - Terrorismus , Innerer Frieden - Mutter Stolz Apokalypse
Production Country : Slowakei
Production : Color Force
Between this and _Maggie_, Arnold Schwarzenegger has proven that he's more than just the '80s muscle man we had always given him credit for. Aftermath may not be great, but there's some emotion in there, a relatively satisfying payoff, and as a vehicle for Arnie's dramatic chops, it works fine.
_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
**Not about the plane crash, but the aftermath of the event.**
The best part of this film is it was based on the real. This is the story that follows after the event of two planes crashed head to head in the mid air. Focused on Roman, the one who had lost his wife and daughter in the crash and the Jake, an air traffic controller who was on the duty on the day.
Roman was not happy for how the officials treated him, and the declaration of the result of the event. On the other hand, Jake was mentally disturbed, that's affecting his family. A year later, when everything was coming back to normal with a book on the plane crash is getting released, a twist in tale emerges and fast forwarding to a few years, the story comes to an end.
There's no judgement on the crash, that's how the story carefully evolved. Like how it happened and whose fault it was. If you understand the title properly, you won't ask that, because the film is not about that. It was the aftermath of the crash. Like how people related to the event coped with. I think decently written screenplay with good performances. But the film was slow.
Everything about the film was the opening and the end parts, the rest of the film was just a drag in the name of gap between the events and letting us know more about the film's two main characters. So, overall a simple film, but depicting the real event matters here. Once viewable film, especially if you are the actor's fan, then the percentage goes up. Though expect less from it or from him, as he's not young anymore and this film is not an action flick, just a decent drama.
_6.5/10_
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