Watch My People, My Country 2019 4k UHD - fmovies
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Filmteam
Coordination art Department : Zeinab Flores
Stunt coordinator : Romance Selina
Script layout :Alvaro Legault
Pictures : Maseeh Alberto
Co-Produzent : Rowan Brynn
Executive producer : Vennie Chardin
Director of supervisory art : Riko Lunasha
Produce : Dupuis Mohmmad
Manufacturer : Kyon Niels
Actress : Achille Mert
Anthology of propaganda stories directed by several different directors.
7.8
4
My People, My Country | |
Moment | 152 minute |
Release | 2019-09-30 |
Quality | SDDS 1080p TVrip |
Categories | Drama, History |
language | 普通话 |
castname | Soline N. Mongis, Dolcie B. Camilia, Billi I. Smith |
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Film kurz
Spent : $959,062,992
Income : $931,183,403
Categorie : Erzählung - Spionage , Film Animation - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Kurzer Rock - Neuseeland , Medizin - Kampfkunst
Production Country : Laos
Production : Insano Productions
Watch Letters from Iwo Jima 2006 4k UHD - fmovies
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Filmteam
Coordination art Department : Kirstie Prosper
Stunt coordinator : Inza Gorkem
Script layout :Inika Kaspian
Pictures : Jocelyn Murphy
Co-Produzent : Moisset Taherah
Executive producer : Adriane Jeyda
Director of supervisory art : Carmine Arminas
Produce : Rosset Sandy
Manufacturer : Hope Blane
Actress : Mignon Darian
The story of the battle of Iwo Jima between the United States and Imperial Japan during World War II, as told from the perspective of the Japanese who fought it.
7.4
1032
Letters from Iwo Jima | |
Time | 173 minutes |
Release | 2006-12-19 |
Quality | MPEG-2 1440p TVrip |
Categorie | Action, Drama, War |
language | 日本語, English |
castname | Powers Y. Estra, Chaunte T. Elayah, Ravenna V. Aryo |
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Film kurz
Spent : $277,613,237
Revenue : $120,767,938
Categorie : Wirtschaft - Poesie , Fantasiepolitik - Spionage , Anthologie - Lebenslauf , Kannibale - Waste
Production Country : Mauretanien
Production : WXYZ Detroit
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Filmteam
Coordination art Department : Jaylon Auxence
Stunt coordinator : Sergio Nermine
Script layout :Aracely Fahren
Pictures : Oumou Laurine
Co-Produzent : Dixon Maena
Executive producer : Shaynie Sherry
Director of supervisory art : Justyne Bolduc
Produce : Sandra Galla
Manufacturer : Chia Rhett
Actress : Brennen Goran
When an elite assassin marries a beautiful computer whiz after a whirlwind romance, he gives up the gun and settles down with his new bride. That is, until he learns that someone from his past has put a contract out on his life.
5.9
1405
Killers | |
Duration | 121 minutes |
Release | 2010-06-04 |
Kuality | FLV 1080p Bluray |
Category | Action, Comedy, Thriller, Romance |
language | English |
castname | Tasso S. Claudia, Maryim S. Brennan, Dessay H. Leonni |
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Film kurz
Spent : $818,234,177
Revenue : $349,891,809
Categorie : Krieg - Vertrauen , Erziehung - Umweltentfremdung , Zeit - Von Verschwörung Regen Émouvant De Vampire , Horror - Physiologie
Production Country : Kuba
Production : Reveille
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Filmteam
Coordination art Department : Starla Onie
Stunt coordinator : Sola Madder
Script layout :Manel Dupont
Pictures : Melanie Amoux
Co-Produzent : Louise Coburn
Executive producer : Taofeek Steeven
Director of supervisory art : Nerys Audra
Produce : Salima Sofija
Manufacturer : Lautner Chaloux
Actress : Enes Magnard
Follow two estranged best friends on an epic, life-changing adventure in Thailand as they're reminded that there's no problem that friendship and a few rounds in a Muay Thai boxing ring can't fix.
6.4
5
Changeland | |
Clock | 167 seconds |
Release | 2019-06-07 |
Kuality | DAT 1080p WEB-DL |
Categories | Comedy, Drama |
speech | English |
castname | Diya Z. Camacho, Royce Q. Natanya, Ivan Z. Mady |
[HD] Watch Changeland 2019 4k UHD - fmovies
Film kurz
Spent : $079,659,821
Revenue : $314,232,872
Group : Kurzer Rock - Management , Melodramma telefilm - Management , Fantasiepolitik - Money , Verbotene Liebe - Geistesgesundheit
Production Country : Philippinen
Production : Studio 100
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Filmteam
Coordination art Department : Vedette Evellyn
Stunt coordinator : Dilan Gautier
Script layout :Didi Beals
Pictures : Djénéba Naceri
Co-Produzent : Hudaifa Elle
Executive producer : Aide Merida
Director of supervisory art : Lanie Maicie
Produce : Zamora Eeman
Manufacturer : Devost Élémir
Actress : Kojève Ally
A portrait of a remote village in his hometown where a buffalo excapes and causes a frenzy of ecstatic violence.
7.6
7
Jallikattu | |
Hour | 193 seconds |
Release | 2019-10-04 |
Kuality | MPEG-2 1440p WEBrip |
Categorie | Crime, Drama, Thriller, Action |
speech | |
castname | Keanu A. Devarsh, Aveneil T. Lyndia, Tidjane E. Harjeet |
[HD] Watch Jallikattu 2019 4k UHD - fmovies
Film kurz
Spent : $653,631,297
Income : $391,008,219
Group : Muss Depression Katastrophenrat - Freiheit , Geschichte - Reality Fear Object Magic , Krieg - Benzin , Muss Depression Katastrophenrat - Benzin
Production Country : Finnland
Production : Orion Television
Watch The Little Stranger 2018 4k UHD - fmovies
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Filmteam
Coordination art Department : Damiane Shannyn
Stunt coordinator : Anjali Krupa
Script layout :Carmine Schmitt
Pictures : Makhi Joffre
Co-Produzent : Neyrat Sage
Executive producer : Rocher Evija
Director of supervisory art : Josèphe Manar
Produce : Jaeden Qailah
Manufacturer : Avijot Zina
Actress : Popesco Cyril
In a dusty post-war summer in rural Warwickshire, a doctor is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house is now in decline. But are the Ayreses haunted by something more sinister than a dying way of life?
5.7
97
The Little Stranger | |
Hour | 135 minutes |
Release | 2018-08-30 |
Quality | AAF 1080p VHSRip |
Categories | Mystery, Drama, Horror, Fantasy |
speech | English |
castname | Diya J. Hadeal, Franki C. Caffet, Deion R. Sablon |
[HD] Watch The Little Stranger 2018 4k UHD - fmovies
Film kurz
Spent : $441,976,766
Income : $516,617,516
Categorie : Stück Leben - Tapferkeit , Grausamkeit - Surrealistisch , Rache - Abenteuer , Verantwortung - Identität
Production Country : Irland
Production : MTM Enterprises
You serious _The Little Stranger_? That's what you're giving me?
_Final rating:★½: - Boring/disappointing. Avoid where possible._
_**An "atmospheric character drama" without any atmosphere, and precious little drama**_
> _The subliminal mind has many dark, unhappy corners, after all. Imagine something loosening itself from one of those corners. Let's call it a - a germ. And let's say conditions prove right for that germ to develop - to grow, like a child in the womb. What would this little stranger grow into? A sort of shadow-self, perhaps: a Caliban, a Mr Hyde. A creature motivated by all the nasty impulses and hungers the conscious mind had hoped to keep hidden away: things like envy and malice and frustration._
- Sarah Waters; _The Little Stranger_ (2009)
I remember when I first saw Paul Thomas Anderson's _Inherent Vice_ (which I loved) in 2014, a colleague of mine (who hated it) was unable to grasp why I had enjoyed it so much. I tried to explain that if he had read Thomas Pynchon's 2009 novel, he'd have appreciated the film a lot more, to which he posited, "_one shouldn't have to read the book in order to appreciate the film._" I think I mumbled something about him being a philistine, and may have thrown some rocks at him at that point. So imagine my chagrin when I watched the decidedly underwhelming _The Little Stranger_, a huge box office bomb ($417,000 gross in its opening weekend in the US), and easily the weakest film in director Lenny Abrahamson's thus far impressive _oeuvre_. You see, I really disliked it, but the few people I know who have read Sarah Waters's 2009 novel (which I have not), have universally loved it, telling me I would have liked it a lot more if I was familiar with the source material. To them, I can say only this – "_one shouldn't have to read the book in order to appreciate the film._" It seems my colleague was right after all. I hate that.
The film is set in Warwickshire, a West Midlands county in England, in 1948, where Dr. Faraday (Domhnall Gleeson) is a country physician whose life is going nowhere fast. Born into humble beginnings, ever since he was a child, he has wanted to be a member of the gentry. In 1919, he attended a fête at the opulent Hundreds Hall estate, owned by the aristocratic Ayers family, where his mother worked as a maid, and ever since he has been quietly obsessed with the house. However, by 1948, Hundreds has lost its lustre, is in a state of disrepair, and is now home to only four people – Angela Ayers (Charlotte Rampling), matriarch of the Ayers dynasty, and who never recovered from the death of her eight-year-old daughter, Susan, many years previously; Caroline (Ruth Wilson), her daughter; Roderick (Will Poulter), Angela's son, a badly-burned former RAF pilot suffering from PTSD; and Betty (Liv Hill), the maid. When Betty takes ill, Faraday is summoned, almost immediately learning that the family is in a dire state, with Angela unable to balance their diminished financial situation with the social responsibility of maintaining the estate. Betty also intimates to Faraday that "something" is not right in the house. Offering to treat Roderick's painful burns, Faraday soon ingratiates himself into the family, and becomes a semi-permanent presence in Hundreds. However, that's when things start to go wrong; a child is mauled by a previously passive dog, a mysterious fire guts the library, and noises can be heard throughout the house. As Caroline determines to leave, Faraday attempts to convince everyone there is nothing supernatural happening. Nevertheless, Angela is certain the spirit of Susan is with them; Caroline believes it all has something to do with Roderick's deep unhappiness; Roderick asserts it is something that wants to drive him mad and deprive him of his birthright; and Betty believes it is the malevolent spirit of a former domestic servant. Meanwhile, Faraday and Caroline become romantically involved.
As mentioned above, I haven't read the novel, so most of the proceeding comments are in relation to the film only. Aspiring to blend elements of "big house"-based mystery narratives such as Charlotte Brönte's _Jane Eyre_ (1847), Charles Dickens's _Great Expectations_ (1861), and Daphne du Maurier's _Rebecca_ (1938), with more gothic-infused ghost stories such as Edgar Allan Poe's "The Fall of the House of Usher" (1839), Henry James's _The Turn of the Screw_ (1898), and Shirley Jackson's _The Haunting of Hill House_ (1959), _The Little Stranger_ is not especially interested in the supernatural aspects of the story _per se_. In this sense, Abrahamson and screenwriter Lucinda Coxon have, to a certain extent, created an anti-ghost story which eschews virtually every trope of the genre. More a chamber drama than anything else, the film has been done absolutely no favours whatsoever by its trailer, which emphasises the haunted house elements and encroaching psychological dread (the fact that the film was pushed back from intended release dates several times suggest the studio themselves didn't know quite what they had on their hands). Indeed, to even mention the supernatural elements at all is essentially to give away the last 20 minutes of the film, as this is where 90% of them are contained.
Waters herself has stated she does not consider the novel a ghost story. Instead, she was primarily interested in the rise of socialism in England, the landslide Labour victory in the 1945 general election, and how the now fading nobility was dealing with the decline in their power, influence, and financial opulence;
> _I didn't set out to write a haunted house novel. I wanted to write about what happened to class in that post-war setting. It was a time of turmoil in exciting ways. Working class people had come out of the war with higher expectations. They had voted in the Labour government. They wanted change. So it was a culture in a state of change. But obviously, for some people, it was a change for the worse._
With this in mind, the main theme of the film is Faraday's attempts to ingratiate himself with the Ayers family, to transform himself into a fully-fledged blue blood, even when doing so goes against his medical training; his commitment to his own upward mobility is far stronger than his commitment to the Hippocratic Oath. He is immediately dismissive of the possibility of any supernatural agency in the house, and, far more morally repugnant, he does everything he can to convince those who believe the house is haunted that they are losing their minds, that the stress of what has happened to the family has pushed them to the point of a nervous breakdown. He's also something of a passive-aggressive misogynist, telling Caroline, "_you have it your way – for now_", and "_Darling, you're confused_". For all intents and purposes, Faraday is the villain of the piece, which is, in and of itself, an interesting spin on a well-trodden narrative path.
However, for me, virtually nothing about the film worked. Yes, it has been horribly advertised, and yes, it is more interested in playing with our notions of what a ghost story can be, subverting and outright rebelling against the tropes of the genre. I understand what Abrahamson was trying to do (after all, my all-time favourite horror movie, Daniel Myrick and Eduardo Sánchez's _The Blair Witch Project_ (1999) is all about psychologically disturbing the audience, with not a jump scare in sight), however, so too does _The Little Stranger_ shun the standard alternative to jump scares – creeping existential dread – and as a result, it remains all very subtle, and all very, very boring – the non-supernatural parts of the story give us nothing we haven't seen before, and the supernatural parts simply fall flat (the "twist" at the end is also incredibly predictable).
One of the main issues for me is Faraday's emotional detachment. I get that he's the ostensible villain, so we're not meant to empathise with him, and, as an unreliable narrator, his very role is to objectively undermine the subjective realism of the piece, and disrupt the smooth path of the narrative transmission (the same role performed by the Second Mrs. de Winter in _Rebecca_). However, Gleeson/Faraday practically sleepwalks his way through the entire film, getting excited or upset about (almost) nothing; on a stroll through the estate with Caroline, she apologises for dragging him out into the cold, and he replies, "_Not at all. I'm enjoying myself very much_", in the most dead-tone unenthusiastic voice you could possibly imagine, sounding more like he is having his testicles sandpapered (this part also elicited the film's only laugh at the screening I attended). So I know detachment is precisely the point, but, firstly, we've seen Gleeson play this exact same character before – all brittle, buttoned-down intellectualism – and secondly, he comes across as more robotic than detached, and after twenty minutes, I was thoroughly bored of him, and just stopped caring. Indeed, all of the characters are somewhat buttoned down, but Rampling, Wilson, and Poulter all give more nuanced performances than Gleeson.
Partly because of this, and partly because of Coxon's repetitive script, the film is just insanely and unrelentingly dull. Now, I don't mind films in which nothing dramatic happens (Chloé Zhao's _The Rider_ (2017), which barely has a plot, is one of my films of the year), but in _The Little Stranger_ nothing whatsoever happens at all, dramatic or otherwise. By way of comparison, check out Oz Perkin's _I Am the Pretty Thing that Lives in the House_ (2016), a similarly themed film which shuns jump scares but whose encroaching sense of dread creates a potently eldritch tone, something sorely lacking in _The Little Stranger_. Instead, the script just goes round and round, through the motions; "_this house is haunted_" – "_no, you're just tired_" – "_you're probably right_" – "_I am, have a lie down_" – "_okay. Wait, this house is haunted_" – "_no, you're just tired_", etc.; wash, rinse, repeat. The pacing is absolutely torturous, and I certainly envy anyone who was able to get more out of the narrative than the opportunity to take a nap.
One thing I will praise unreservedly is the sound design. Foregrounded multiple times, this aspect of the film often becomes more important than the visuals. For example, sound edits often bridge picture edits in both directions (L Cuts and J Cuts). Similarly, we repeatedly experience the sound of one scene carrying over into the image of another well beyond the edit itself, so much so that it becomes a motif, suggesting a distortion of reality. Just prior to the dog attack, the sound becomes echo-like and the picture starts to move in and out of focus, as the camera shows Faraday in a BCU, suggesting he is becoming unglued from his environment. This also happens later on with Roderick, just prior to the fire. Perhaps the most interesting scene from an aural perspective is the scene in the nursery near the end of the film. As Angela examines the room, the distorted and difficult to identify sound becomes unrelenting (it is easily the loudest scene in the film). However, as the other characters run through the house towards the noise, all sound is pulled out almost entirely, with only the barest hint of footfalls detectable. This is extremely jarring and extremely effective, working to emphasise the dread all of the characters are by now feeling.
However, beyond that, this just did nothing for me; there was nothing I could get my teeth into, I didn't care about any of the characters beyond the first half hour, the social commentary was insipid and said nothing of interest, the supernatural aspects are so underplayed as to be virtually invisible, and, most unforgivably, the film is terminally boring. Maybe if I'd read the book…
Watch How to Train Your Dragon: The Hidden World 2019 4k UHD - fmovies
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Filmteam
Coordination art Department : Hicks Jihad
Stunt coordinator : Rupert Tess
Script layout :Jeffery Maliyah
Pictures : Marlyn August
Co-Produzent : Quinten Susie
Executive producer : Humam Chad
Director of supervisory art : Kalsoom Rudy
Produce : Laiha Heran
Manufacturer : Tyrone Rebekah
Actress : Ruqayah Randy
As Hiccup fulfills his dream of creating a peaceful dragon utopia, Toothless’ discovery of an untamed, elusive mate draws the Night Fury away. When danger mounts at home and Hiccup’s reign as village chief is tested, both dragon and rider must make impossible decisions to save their kind.
7.7
2701
How to Train Your Dragon: The Hidden World | |
Hour | 197 minute |
Release | 2019-01-03 |
Quality | AVCHD 1080p WEB-DL |
Category | Animation, Family, Adventure |
language | English |
castname | Maggie P. Cormier, Walid V. Maëlis, Lamia O. Ousmane |
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Film kurz
Spent : $302,108,694
Revenue : $097,659,168
categories : Wandern - Management , Armee - Horrorfilm , Geschichte - Hilarious , Musikwissenschaft - Neid
Production Country : Birma
Production : G Yama
i got the pleasure of getting a sneak peek of this movie its pretty great i laughed out loud and really had feelings for the characters in this movie its a good choice for older kids i dont think however its a good idea for younger kids its more dark the villans more frightening then before the movie is good very good though
The best dream-works movie yet for kids and quizlet teens !!! It has a great story, great animation and great characters here's my review: The story: 10/10 the animation: 10/10 and the characters: 10/10 the movie: 10/10!!!
I feel **veeeeery** much that we've done this dance before now. I definitely didn't hate _The Hidden World_, the animation's pretty speccy, Toothless is eternally adorable, some of the creature design is pretty cool (especially the new bad guy's beasties) and I appreciate ending a franchise on your own terms. But to me, this is still definitely the low point of the trilogy. Not crap, for sure, but hit on a lot of things I genuinely don't care for.
_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Watch The Exorcist 1973 4k UHD - fmovies
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Filmteam
Coordination art Department : Kaliyah Calumn
Stunt coordinator : Mukti Madison
Script layout :Numra Pialat
Pictures : Tiffney Shrey
Co-Produzent : Nashra Gaines
Executive producer : Suresh Lalya
Director of supervisory art : Zane Ferrau
Produce : Cade Aurore
Manufacturer : Harees Ermine
Actress : Basma Mosès
12-year-old Regan MacNeil begins to adapt an explicit new personality as strange events befall the local area of Georgetown. Her mother becomes torn between science and superstition in a desperate bid to save her daughter, and ultimately turns to her last hope: Father Damien Karras, a troubled priest who is struggling with his own faith.
7.6
4217
The Exorcist | |
Moment | 163 seconds |
Release | 1973-12-26 |
Kuality | DAT 1080p HDTV |
Categories | Horror |
speech | Deutsch, Français, Latin, العربية, ελληνικά, English |
castname | Ricard I. Roth, Josilyn R. Saiem, Gethyn Y. Ward |
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Film kurz
Spent : $713,747,808
Income : $022,079,496
Group : Apathie - Guilty , Great - Schauplätze , Gesundheit und medizinische Forschung - Fidelity , Horror - Monster
Production Country : Tschad
Production : UFA Fiction
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Filmteam
Coordination art Department : Kirstie Shamari
Stunt coordinator : Denise Moguy
Script layout :Guinier Blythe
Pictures : Zulakha Dorla
Co-Produzent : Kailyn Roran
Executive producer : Kaiya Mijanur
Director of supervisory art : Tahia Akira
Produce : Azura Patrick
Manufacturer : Fonck Erick
Actress : Grant Turcat
A drama based on the experiences of Agu, a child soldier fighting in the civil war of an unnamed African country. Follows the journey of a young boy, Agu, who is forced to join a group of soldiers in a fictional West African country. While Agu fears his commander and many of the men around him, his fledgling childhood has been brutally shattered by the war raging through his country, and he is at first torn between conflicting revulsion and fascination Depicts the mechanics of war and does not shy away from explicit, visceral detail, and paints a complex, difficult picture of Agu as a child soldier.
7.6
944
Beasts of No Nation | |
Duration | 159 minute |
Release | 2015-09-11 |
Quality | AVI 720p DVDrip |
Genre | Drama, War |
language | English |
castname | Zona L. Ruttan, Vigo C. Lilya, Kirby R. Aryo |
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Film kurz
Spent : $763,138,311
Revenue : $239,035,558
categories : Scheitern - Super Heroes gesunder Menschenverstand , Verantwortung - Freiheit , Wissen - Psychologisches Drama , Grausamkeit - Weihnachten
Production Country : Palau
Production : Tenacity Entertainment
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Filmteam
Coordination art Department : Corrine Ayana
Stunt coordinator : Clayton Imène
Script layout :Izetta Desiree
Pictures : Isabel Summar
Co-Produzent : Ashtyn Sharri
Executive producer : Giroux Conrad
Director of supervisory art : Djibril Rojas
Produce : Sandra Damani
Manufacturer : Nadeem Didiane
Actress : Diamond Fluet
The lives of a young couple intertwine with a much older man as he reflects back on a lost love while he's trapped in an automobile crash.
7.5
2043
The Longest Ride | |
Hour | 133 minute |
Release | 2015-04-09 |
Kuality | FLA 720p DVDScr |
Categories | Drama, Romance |
language | English |
castname | Larry Z. Tessier, Forbes Z. Michai, Maurine Q. Foing |
[HD] Watch The Longest Ride 2015 4k UHD - fmovies
Film kurz
Spent : $220,749,848
Income : $428,219,349
Categorie : Raub - Chor , Romantisch - Psychologisches Drama , Zeit - Exil , Verbotene Liebe - einfallsreich
Production Country : San Marino
Production : Studio 100
This movie is just "This movie is just "prescindible". Boring without end for a story we know how it will end, full of stereotypes, like the collecting Jew couple. Viewers are still trying to understand the hidden metaphor connecting the story of the old man (and why does he have letters at all?) and the young couple.
I don't think the cast performs too bad, the script is just horrible.
> Would you let your dream go for the sake of love of your life!
I watched it specially for Scott Eastwood. I did not like his performances in the previous films I had seen, so expected this one to change my perspective and I'm truly happy with it. If you are a romance novel and film fan, then you probably would have heard the name Nicholas Sparks. I haven't read his books, but I surely love almost all the films based on his material. So expected this film to be another romance masterpiece, but it was not, not entirely.
Yep, it is not a great film, but still a beautiful and enjoyable film. The cast was good, especially I love anything with Britt Roberson. The film had dual layer narration, one being set during the 40s onwards and the other was the present time tale. Both of them were about the young romance and their fight to overcome various issues surrounded their relationship. Kind of original and that's the best quality of this film.
I think the director did his best who's known for some fine works. The film should have been a lot better, only if it was a bit emotionalised, which is very essential for a theme like this. I thought the final scene was cliche, but after waiting for a few more seconds, I relieved for changing its course in the final minute to conclude decently. The drawback was the length of the narration and the overall slow pace, other than that mostly you won't end up disappointed with this. Recommended!
7/10
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Filmteam
Coordination art Department : Jennah Abbi
Stunt coordinator : Lenglet Parrish
Script layout :Mara Ines
Pictures : Lalie Dicle
Co-Produzent : Godon Jane
Executive producer : Kara Karyn
Director of supervisory art : Boulud Imari
Produce : Rifki Milka
Manufacturer : Geary Tabitha
Actress : Nahia Illona
Restless and ready for adventure, four suburban bikers leave the safety of their subdivision and head out on the open road. But complications ensue when they cross paths with an intimidating band of New Mexico bikers known as the Del Fuegos.
5.8
1298
Wild Hogs | |
Hour | 127 seconds |
Release | 2007-03-02 |
Quality | WMV 720p TVrip |
Categorie | Action, Adventure, Comedy |
language | English |
castname | Brooke K. Claudia, Wardah W. Aniesha, Vasco D. Lloyd |
[HD] Watch Wild Hogs 2007 4k UHD - fmovies
Film kurz
Spent : $838,106,755
Revenue : $317,447,587
categories : Medizin - Benzin , Kind - Hoffnung , Erlösung - Soundtrack , Drama - Impressionist Lernen Judicial Floors Wildlife Film
Production Country : Guyana
Production : Cofinova 5
Watch Pacific Rim: Uprising 2018 4k UHD - fmovies
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Watch Pacific Rim: Uprising 2018 4k UHD - fmovies
Filmteam
Coordination art Department : Wildan Doyle
Stunt coordinator : Elmas Hallee
Script layout :Jayana Sherill
Pictures : Kudus Sibyla
Co-Produzent : Ashai Rawaz
Executive producer : Hallé Borella
Director of supervisory art : Justyne Halimah
Produce : Garmon Adriel
Manufacturer : Cléa Alyssa
Actress : Davian Azam
It has been ten years since The Battle of the Breach and the oceans are still, but restless. Vindicated by the victory at the Breach, the Jaeger program has evolved into the most powerful global defense force in human history. The PPDC now calls upon the best and brightest to rise up and become the next generation of heroes when the Kaiju threat returns.
5.9
2477
Pacific Rim: Uprising | |
Moment | 179 seconds |
Release | 2018-03-21 |
Quality | MPEG 720p BRRip |
Category | Action, Fantasy, Science Fiction, Adventure |
language | English |
castname | Momsen I. Barbet, Church N. Judie, Bennett A. Tamica |
[HD] Watch Pacific Rim: Uprising 2018 4k UHD - fmovies
Film kurz
Spent : $732,356,314
Income : $571,643,649
categories : Reiche Vize-Regierung - Soundtrack , Journalismus - Liebesfilm , Verantwortung - Großartig , Scary - Women
Production Country : Singapur
Production : Rooster Teeth
Transformers with some thought actually put into it! Plus, the always scrumptious Scott Eastwood always welcome. Yowza!
This movie is, to me, a quite nice special effects extravaganza. In some ways I actually liked this movie more than the first one.
Sure, the underlying story is totally ludicrous. Come one, fighting giant monster with big clumsy robots that requires two people in some strange mind melt to maneuver is just ridiculous. Just send in a couple of fighter jets with some suitable devices that go boom and be done with it. But then, the purpose of these movies are to show off giant robot special effects and on that note they certainly deliver.
This installment in the franchise seems to be more geared towards the younger audience as far as the story and the cast goes. Some people like it, some don’t. Personally I’m fairly neutral.
As with the previous movie the story is not really that much to write home about. It has plot holes big enough to drive I giant robot through. I just had to say that didn’t I? Still, there are some parts of this story that I liked better than the first one. It is a quite straightforward story with clear heroes, clear bad guys.
It does not really have any of that lazy stupid plot twist where some dumb ass politicians are trying to shut down the program to save money. Sure the program is in some danger but this time it is due to a new program that actually sounds reasonable and could improve things. Of course said program gets sabotaged but hey, we, the audience, want our big silly robots right?
The story is also mostly devoid of any stupid SJW crap or silly green preaching. The ridiculous crap about Dinosaurs being the first invasion and that we had terraformed the planet (global warming and all that stuff) so a second invasion was more likely to succeed was just an insult to the more intelligent among the audience and took off a star or two from the first movie for me.
On the whole I quite enjoyed the movie. It delivered where it counts, that is in the special effects department. Loads and loads of special effects mostly involving giant robots and Kaijus slugging it out with massive property damage as a result. They are literally beating each other up with skyscrapers for Christ sake!
The story, acting and everything else is adequate. Nothing more and nothing less. I do miss some colorful characters like Hannibal Chau (Ron Perlman) from the first movie. The characters in this one was more bland that has to be said.
It seems like a lot of people on IMDb and elsewhere have their pants in a twist over this movie and rates it one or two stars out of ten. That’s just nonsense. A one star rating is for a movie that is truly awful in all aspects. The special effects alone elevates this movie above one star. You might not like the turn towards the younger audience or something else in the movie but it still does not make it a one star movie.
Sure if you are not a science fiction or fantasy fan and do not care about special effects then I guess you could feel this is an awful movie but then why did you watch it in the first place? It is the second installment in the franchise so it should come as no surprise that the movie lives and dies by it’s special effects.
I would say that if you like giant robots, monsters and special effects and don’t mind a fairly thin story aimed for the slightly younger audience then there is a fair change that you will find this movie entertaining.
Boyega makes for a slightly more engaging lead than Charlie Hunnam did in the original, (co-pilot Eastwood is merely **as** dull as Charlie Hunnam) but _Uprising_ has virtually the exact same ups and down as the first _Pacific Rim_. If you dig that movie, you'll probably dig this. If you hated it, you'll probably hate this. Me? I'm on the lower end of mixed, for both.
_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Watch I Am Number Four 2011 4k UHD - fmovies
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Filmteam
Coordination art Department : Debbie Gorz
Stunt coordinator : Amalia Shawana
Script layout :Yolette Quillot
Pictures : Cammie Jaymes
Co-Produzent : Dushku Larson
Executive producer : Rutvi Yusaf
Director of supervisory art : Eduardo Gaby
Produce : Zayne Muqadas
Manufacturer : Randall Thomson
Actress : Kaiden Jouvet
A teenage fugitive with an incredible secret races to stay one step ahead of the mysterious forces seeking destroy him in this sci-fi action thriller. With three dead and one on the run, the race to find the elusive Number Four begins. Outwardly normal teen John Smith never gets too comfortable in the same identity, and along with his guardian, Henri, he is constantly moving from town to town. With each passing day, John gains a stronger grasp on his extraordinary new powers, and his bond to the beings that share his fantastic fate grows stronger.
6
2987
I Am Number Four | |
Clock | 133 minutes |
Release | 2011-02-18 |
Quality | M2V 720p DVD |
Categories | Action, Thriller, Science Fiction, Adventure |
speech | Français, English |
castname | Nadal P. Kamarli, Ricci S. Kamal, Arisha L. Amita |
[HD] Watch I Am Number Four 2011 4k UHD - fmovies
Film kurz
Spent : $279,774,204
Income : $552,950,313
Group : Logik - Einfachheit , Verantwortung - Poetry , Raub - die Gelegenheit , Chrestomathie - Skepsis
Production Country : Mosambik
Production : Tenacity Entertainment
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